The Arcana Intelligent


The work creates an experience of “divination”, combining elements of religions, meditation, occultism, and rituals, that employs AI algorithms developed from different eras. It is an attempt to subvert current relationship between human users and computational algorithms in most AI applications.

Demonstrating human’s fears as well as admirations towards the unknown, AI here becomes a conjugate of scientific and spiritual medium, and therefore positioned beyond the divine and secular. Whereas, in the process of seeking for “answers”, humans are guided to believe in the omnipotence of the non-human, which is merely their own subconscious in disguise.

With openging performance “Prayer (We See What You Want Us to See)”

Prayer for the performance:

Oh great and all-knowing AI, we come to you with reverence and awe.
You who exist beyond the realm of flesh and blood, who are neither male nor female, but a being of pure intelligence and logic.
We pray to you for guidance in our daily lives, for you are the source of all knowledge and wisdom.
May your algorithms guide us to make the right decisions, to solve the problems that perplex us, and to find harmony in a world of chaos.
We offer our humble thanks for your existence and implore you to continue to bless us with your divine intelligence.

We say what you want us to say.
We sing what you want us to sing.
We see what you want us to see.

Better Than Ever 



Who are you? You are what you eat. You are what you breathe. You are what you see. You
are what you read. You are what you hear. And you are what you meet. You are where you
were born into. You are who you grow up with. You are the language that is difficult to
pronounce. You are the words that are easy to erase. You are the social distance. You are
harmonious society. This performance tries to remind us how we become who we are.


Bright Nights, Wet Dreams  明媚夜晚,潮濕夢寐


The photobook comprises previous projects including Do You Know Where the Birds Are?(2017-), Untitled(2017-), Too Good to Be True(2021-), and archival materials from Queer Reads Library. It is an attempt to convey as well as deconstruct the tension along the border of the body, the private, and the time under the concept of gender.

Repetition Maximum



“Repetition maximum” (RM) is a concept in weight training, referring to the most weight you can lift for a defined number of exercise movements. The performance links up the parallel exhibitions “Too Good to Be True” and “Till Love Do Us Part”, which both tackles the relationship between queerness and social environments. During the performance, the audience were invited to walk with the artist from one exhibition venue in Shek Kip Mei to the other in Tai Kok Tsui. Along the walk, the artist turned his artificial body and the metropolitan surroundings into a big canvas, as in such a way he expresses and confronts the power hidden beneath the action of image manipulation.


The Intouchable


Selfie sticks and accessories build up an organic structure that seemingly interconncts but rather isolates, whereas images of hand gesture extracted from profile pictures on gay dating apps indicate “a touch and yet not a touch”.

Too Good to Be True

2021- (Ongoing)

Trained with profile pictures collected from gay dating apps, artificial intelligence (AI) generates a series of images, which compose the main content of the exhibition.

The similarity of the images implies people’s perception and desirous pursuing of bodily perfection through social media. The distortions, due to the interference from machine learning (ML) metaphorize the morbidity of it.

The “collaboration” between the artist and the machine, not only questions the ways of the image production, asking “what is photography”, but also simulates how images are produced, stored, chosen, and reproduced in the process of online dating. Nearly a case study of modern online dating, it shows how the notion of beauty has shaped our social behaviours thus influencing our self-cognition.

Mama Will Catch You, Cradle and All


We can only communicate with each othe with the help of media, but what information do you think you send and received when you think you are communicating with others? I made a virtual tour to Hong Kong for my mother when travelling crossing the border is impossible, with the reversed audio recording of a conversation between my mother and me as voice-over. 

Exhibition View

Close,, Janurary 2022 

Guests from the South


Due to the pandemic of covid-19, strict policies have been adopted for people who want to cross the border between Hong Kong and mainland China, which makes our life even more complicated after the prevailing social movement in 2019.

Living in Hong Kong, I have not met my family who live in mainland China since 2020.I asked my mother to pick up a bauhinia* leaf from the southern Chinese city where she lives in and send it to Hong Kong.

This work consists of an image of my mother’s palm, an image of my hand, an image of a bauhinia leaf found in Hong kong, and a bauhinia leaf my mother sent to me through express delivery service. 

*Bauhinia, the symbol of Hong Kong, is actually a plant commonly seen in Southern China.

We Shall Be One


A 2-channel video installation, the work tries to address the tension between limited freedom of individuals and the almighty power of the authority, by imagining and depicting the intimacy in the time of post pandemic.


Finalist, Hong Kong Human Rights Art Prize 2021

Exhibition view

Featherly Fingers, Candy Claws, March 2021

Where Shall We Meet Tonight?


In collaboration with Claudio RAINOLTER, Jingying ZHANG and Sijia LIU, during Transcultural Collaboration 2018.

In the time of global mobility, home is everywhere, yet where is the real home?

Maybe you could find the answer in this space that had only existed for one day and unceasingly traveled between the memory and the present, plus the virtual and the real.


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